Duje my son is getting old enough for my to be able to work beside him. Or at least I am more relaxed about him possibly falling into the sea, and or getting wet, to take him along when he wanted to come and paint the sun set with me.
It was actually quite fun. I paint at the waters edge, where the tide meets with my feet, and where I can dip the old paper right into the sea and reach out and keep dipping my paintbrush when I need. Duje too ,did all as mother does. He primed his paper in the sea, let he pigments drip, shook te wet paper to spread the colors. He knows my stuff . To the point that the firenledy passers by came up to me and kept asking- ah how lovley here you are painting rainbows youth your son?. Yes. Yes and for the passers by his paintings made sense, and my paintings where no better than the kids.
And we had fun.
he discovered a "witches broom" in the marina and tried to fly on it- but it did not work- so he threw it into the sea- but than pulled it out scared by my threaths of what the witch may do to him.. Even though today he said that that witches broom does not work and is rubbish and probably belongs to an old witch and it may -even -be just a normal broom for sweeping the marina! The witches broom in the park is by far more magic( I lifted him up on it ).
The sky was quite dramatic and beautiful and changing very fast as it does before the sun sets. Colors turn on off and go, Big drama after a strom. Rain fell upon our paintings and watered them down. Had to hide the paintings with teenagers smoking the reefa in the fishemans hut so that they would not wash compleatley off. Though what ever I paint at the sea- changes by the time I get home. The air at sunset is always too moist to dry the paintings- so I walk with them drippig and smouldering and changing all the way home.
An enormous rainbow turned up and above Duje and I. I think he had invoqued it having drawn them again and again.
Lovley evening with Duje, quite rare during the reign of the baby sister- little possesive monster.
Ah. The are bot sleeping with the father right now. Im going to steal my self a whole bed of legs wide apart , hands spread out, deliciousness, until the first one cries me awake.
good night
Imagine you and I are having coffee together in the sun. We would tell one another other stories. Have giggles. Most stories here are observations and accounts of certian bemusing events in the days of an artist. Events I wish to remember and think may amuse you too. The illustrations I drew. The protagonists are real. Should you have a coffee time story to share, write it back to me.Now if you are ready for a break, get a coffee, draw a chair, let me tell you what happened the other day :
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Tuesday, 3 April 2018
The sailing boats.
You may be wondering why and how the
heck did I make that leap from tons of portraits to painting sailing
boast and why?
Hahah. Well to somone who knows me,
its makes perfect sense. To somone looking form afar- it makes no
sense at all, possibley.
The first time i stepped on to a
sailing boat, it was love at first sight, I was 20, and I was
debating giving up St. Martins art college and becoming a skipper- or
marrying a sailor.
Some year later, after living in Rome,
a life full of adrenalin in art, art parties and travel, I came to a
cross roads with the optiones to go to a New York art residency or to
a Robinson Crusoe type island residency in the Adriatic Sea.
Well I thoguht the island will be a
than or never opportunity, when will I be mad enough to go to a
almost deserted island , again.. So I packed me off to the island
named Palmižana. There all my gadgets died. Phone, camera, computer,
it all died reapitedley until I had no contact with the exterior
world.
All I could do on that island was
paint, swim and eat. I eneded up destroying most of my clothes with
the paint, and I pretty much become the wild thing, one becomes on a
wild island. I painted topless in the heat of the summer, half
covered in thick oil paints all over my body , looking like some
tribal woman with tribal markings. I could only get the paints off
when I would visit the mailand and get a hot waxing removing, hair,
paint and sand stuck to my skin.
Being stuck on a tiny island in a
painting ,eating swimming, routine in the sun, makes you become like
all robinsons, greedey for any boats and any changes. I like all
natives of my island would see arriving sailing boats and stare at
the new arrivals as if they where alians , and soon started leaving
Palmizana with any boat that would take me sailing as if they where
saving me form enprisonement. I'd see a boat, sail off the island in
my swim suit, and than have to find a ferry back some days later.
There was a lack of adrenalin which I
love and connect and need in art making on that island. In need of
adrenalin that same summer I started surfing and became a windsurf
journalist, following the regattas around the coast. And as winter
hit- I wanted to get our of the water and started to learn to sail on
boats.
The next spring having seen the most
beautiful boat of my life- the Shipman carbon yacht at Split on the
Boat show- I came up to the sales director an procured a job- at the
factory of the Shipman Yachts in Slovenia- just becosue I love
sailing boats so much, no other reason. I was in love with that boat.
So Sailing boats for me are this
constant attraction, love, which I somehow ignored in my art making
for all these years, as that love for the boat was private, and art
is something that ultimatley is an expression that ends up wievewd by
the public.
This show “ All the sister want to
kiss sailors” is a fragile dare to paint this beautiful thing, the
sailing yacht, which I expirence as being so gorgous, perhaps I have
been frightened of painting them badley in the past so did not dare.
But I feel that the paintings I have produced are not so bad, the
more I paint the less stiff my boats become.
And as for tha sea and sky- well I cant
fake it at all, I must paint those whilst at the sea, looking at the
waters and heavens, and in this instance with the watercolor pigments
I use sea water to move the colors , I dip the paper into the water,
the wind lifts my papars and changes the color flows. But also I
makes such a mess at sea I am free to splat and shake and dont have
the constraints of the studio. Only in this way do I manage to catch
the colors and movements of the nature which than are a decent stage
for the boats.
Any way , I fear this has been a can of
worms, opened, with my painting thise series of sailing boats- I have
suddnely ignored all my portrait projets and put them on hold,
completley engulfed in this boat painting, sea going, wind swpt hair,
drinking the grappa, whilst hnging out with fishermen and painting at
their dock thing.
Oh yeah.
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