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Wednesday, 9 December 2020

The artist's quest. 4 The Anglo-Saxon Italian dream

  



There was a whole summer to live trough, before moving from our small high school universe, the mediaeval small town of Lichfield, framed by rivers, woods and the fertile lush green fields England is known for,  where Ben and I had lost our virginity, and would have married, and lived happily ever after, had we stayed.


But despite , Ben’s intuitive fear of Italian men, I along with - I dare to think, many generations of girls reared in the Anglo Saxon cultures, was literally - reared with, 

The Italian dream

as an automatic programme setting.




I know, it is a total cliché- 

But somehow before you are aware that you are one of thousands in grey rainy Brittan incubating this same dream, 

you start thinking that Italian food is the best food,

the healthiest food, 

that pasta does not make you fat, and wind up convinced that heaven looks like a 

Tuscan hill with cypress trees growing along the road to the terracotta coloured villa at the top...


 Oh –wait was that a Barilla pasta sauce illustration, I have somehow memorised?

Or an actual place I saw in Italy?

–Probably both.


To add, the Anglo Saxon girls also come with a little fetish of being driven around on a "motorino", by a gorgeous Italian man, with the sun shining above and their hair flying in the wind.

 Of course this last part, I did not admit wanting, even to myself, but none was going to prevent me from going to see Italy, and that’s exactly what I did that summer


- alone.




The artist's quest. 3. Mr. Postman

A few weeks later, a letter from London, arrived in Elford village, at my family’s house with my name on it.



I got into St. Martin's .



A letter addressed to Ben, fell through the post flap of a door in Lichfield.



He got into St Martin's.


In short, this meant- Hurrah!!! we both ,where moving to London, together.



Well not exactly, together,

 because my mother would hear none of that- in fact she strictly forbade it.



Tuesday, 8 December 2020

The artist quest : 2.The St Martin's interview.

 I could do nothing but watch, holding on to the wooden crosses that make the back of a canvass, a painting in each hand, the heart pounding away awaiting- for what was to be inevitable destruction, of the largest painting of all, that was cart-wheeling down the long escalators into the depths of Holborn tube station.

 “Well, at least it did not kill anyone “I thought relived, as it skidded to a halt.  I must have been holding on to it with my teeth. No other limbs where left free. Ben heaped up with his own load of art works did not notice my predicament and somehow clattered out of the tube gates in one piece, while I and the appendages retreated down the escalators and up one more time, to retrieve the incredulously un damaged- run a away artwork.

Of course by the time we found the right building, having walked several miles, flapping about with canvasses, and being blown about by gusts of wind produced by double decker busses, we were, exhausted.


                                                                            I


The journey for me had begun at that twilight hour that the cows wake, in the Staffordshire farming village of Elford.

Where from, stepfather, drove me across the river and hills, trough fields and woods, across the train track, on the way to Lichfield, with him once again proclaiming his distaste for university education,

“When are you going to just get a proper job? Your mother knows I am very much against this university business, I think it is a waste of time and money”,

and his dislike of London “ I couldn’t bear to live in that horrible dirty place again, it’s now full of Pakis and blacks everywhere – did you know we used to call them niggers in my day?- I had a cat called nigger- did I ever tell you that?”

While I furious on the inside, chewed on a thread of long hair trying, to avoid being provoked into a heated discussion of righteousness against his bigotry, -which would give him an excuse to boycott completing, the single most important car ride, he had ever given me -out of admittedly plenty - and the old man knew it. –and did his best, trying to draw out a volatile slip of tongue, that would endorse his wish to turn the car around, with a decent enough excuse - to give to my mother.

 

                                                                                 II


I must have retorted some kind of smart answer back at him, once, I and the artworks made it safe to the concrete shores of the Lichfield train station, and stepfather, disappointed at my “winning “the journey, must have said, -good luck.

The important thing is Ben and I both, got on the train to Birmingham. Even though, it was an almost not- we made the coach too, and hit the road, leaving green fields and sheep on both sides of the motorway until 4 hours later it delivered us to London Victoria Station, and the city of dreams. 

                                                                             

Which there was  no time to appreciate, as we where on a serious mission. 

Though I must say, there is nothing like a long journey to create a theatrical build up to a situation.


                                                                             III


On reaching the right building finally- of course  the interview was located on no other than the 10th floor, and there was no lift, its understood. -The last test for the hero- to see if he is determined enough to complete the quest.

,Arriving we encountered other talent competing for the few dream positions- to study at the famous St Martin’s art college.  The college was a big deal at King Edward’ the VI th s school. A talented girl I knew quite well, few generations older than us had spent 3 years trying to enter and falling, making the idea of going for it one self,  feel as exciting, irrational and stupid, as packing off to Egypt to hunt down undiscovered pharaoh’s tombs.

It was considered the top of the pyramid of all art schools, and one not to be applied for by everyone, or lightly, -the art teacher Mrs Right, discouraged people mostly form trying for it so they don’t lose their shot at something actually achievable. 

In fact, back at school that very moment remakes most likely may have been made as to whether we would get in or not, the popular opinion expecting our failure.


                                                                     IV

I was crumpled and hot, with shaky hands, and slightly demoralised faced with the fresh looking, perfumed, confident adversaries accompanied by their parents and exotic foreign accents.

All applicants where required to leave their portfolios in a room, next to their name, from which a limited number would be selected to go on to an interview later that day. The room was full of tidy organised little heaps of, portfolios, constituting expensive printed photo books.

As a contrast, two tremulous mountains of stuff upon the table, next to the table, and sliding off it, which smelt strongly of materials,  that in places crumbled, and made your hands dirty when you touched them,- where, Ben’s and mine. 

We did not bring much documentation, of artworks, - we brought the actual darn art works,  paintings ,sculptures, drawings, videos, the lot.


                                                                                       V

Considering it all from a visual perspective, seeing we where trying to get into a school where aesthetics where important, the situation to me contained, the fresh and tidy students, and us the two  crumpled things, and the tidy neat heaps of books, and our lumpy mountains. 

I’m not sure how confident- in relation to how petrified, I felt that moment. This was  the bee's knees.- From all the colleges visited before placing this one as number 1 on our university application list, only this one had the Holborn castle like entrance, with guards, and a swanky glass and metal spacey reception hall, that gave you the confidence – like this place means business.

 It was full of buzzing students speeding down corridors, in visible contrast to other art colleges which seemed wafftey , empty, lethargic. Plus this was the one art college located right in the heart of London.

 

Florence was where, I had fantasised studying, but Ben really did not want me to go Italy, the country most full of “ sleazy Italian men” the worried boyfriend mode explained,  and who would just out of their nature- he made me understand, try their sleazy best to seduce me, bringing doom ruin and an inevitable end to our epic love story.

 –And as Ben had no intention of leaving the British music scene, he asked me to pick any college in Brittan, deciding that he would apply to the same one, and study art, not music, which maybe was just a too obvious a choice for him, a true born musician and rock star of our local scene, who above all else hated complying to expectations. So he had to fight it,- and was great at art too, the choice of college was unanimous.


                                                                       VI


Around the corner was a grey little city park with two benches opposite one another. The skies where grey and it had started to drizzle. All that could have been discussed, had been already, on the coach. At that moment in time, we were one another’s everything. A young, beautiful couple, so obviously in love with one another, it would make you want to vomit -and believe in true love, simultaneously.

Awaiting tectonic changes, we took, some tragic, squashed, tuna sandwiches, and chewed to waste an eternity.

I stared at Ben, at his eyes, dark and light blue at the same time, curly black locks, and fat lips, twisting the guitar string ring he made, (that produced a rash always itched my ring finger,) and he stared back at me,  both aware that this day would determine the future to come.

Each produced, a change of clothes, -dressed their stylish best, and went to face the artillery.


Some of the tidy, neat, kids we had seen earlier, where leaving the selection room upset, some crying even, portfolios wilting in their hands.

Worried about the standard being even higher than I anticipated- I entered the room awaiting for the impending news of doom,

                                                                     VII


- to be told that I had passed the first round, to leave my work where it is, and be ready for the group interview.

As chance would have it, - Ben was told exactly the same thing.


                                                                                                                                                               


The interview was a big open table discussion composed of about fifteen people, tutors, college students and other applicants, in which each wanna-be student- had to present their work, and discuss both one’s own and everyone else’s portfolios.

It was an asset for Ben and I to have each other at the same table, there is strength in numbers, we just got going, with our typical devil’s advocate debate approach, popular among friends, and ping ponged off one another, questioning everything shown. 



And than we where sent home.

The Artist Quest. 1. Intro.

Dear Reader.

The journey of the artist, has so far, the 37 years of it , been full of adventures long and short. 

Buddhist monks from Tibet, have advised my friend Zeljan Rakela, who arrived there on motorcycle from Split, that by the age of 40 he should have a child, plant a tree and write a book, in order to become a complete balanced human being and find his peace. I loved the advice, which has stuck in my subconscious. Having planted several trees, given birth to two delicious children, and after years of composing short stories & observations here at "A coffee in the Balkans blog", I  have decided to start writing a collection of the adventures, I lived trough on this quest and road of being an artist.  

The story started at the very begging, where as a small kid I'd steal make up in the house, and draw with it- because the shimmery effect of blusher and eyeshadows on paper was prettier than of simple felt tip pens.. 

But the tales will commence, at that moment when the thunderbolt from the sky, tapped me on the shoulder politely and very clearly said: You are going to be an artist. 

Which for me, alike for a great number of artists  -was the moment of acceptance into the art school. 

If you, are curious, read on. I shall post pieces as they come to me, and see where this endeavour goes, whether I will write a lot or little, no one knows. As for the many people who entered and flavoured this quest, they might find them self mentioned, but I will try not to reveal too much intimate info. The perfect time for writing, like today, is when it grey out and raining,  I suppose we expect new stories to emerge here only on such days. 

love & art,  Sunci


Wednesday, 24 April 2019

The guy


Yesterday the weather was its most saturated and terrible, the gray wet southern wind blew, athe wether when all men and beast start snapping and being esxcusablly-  unbearable.

The kids where whinging, crying, fighting, refusing to do anthing I asked of them , so I decided to take them for a walk to the supermarket. Take their mind of themselfs.

At the supermakert Floriana wanted a chocholate doughnut, chocholate, tomatoes, spanish strawberries , aduck shaped sponge...., Duje wanted an argentine watermellon, icecreams, to go sausages , sweets, fizzy drinks to look cool with but cant actually stand drinking.. They went on a rampage pulling me by the sleeve and whining on by my knees down there, occasionaly dissapereing behind isles..

While I was cheking out the watermellons, a "firendly but weird guy from our hood" who always tries to give me a gift , appered in his shiney and most insistantley altruistic.

 He grabbed me by the elbow, produced out of himself some broken off flowery branch, and said,
Here you go.
 I said no thank you.
 But he insisted. These are BAGREM. You can eat them.
 I smiled as one deos as said no thank you any way.
 Than the mad man he is holding me by the elbow- with my kids rampaging about hollering all the louder for my apprantley failling to notice them
- he started eating the flowers off the branch.
 Look, look they are eadible !!, he insisted.
I said thank you but I dont need them.
Here ! here!  Oh  I il  give you all of them!!
- he got all the more excited as if we where bartering for a cheap deal on a second hand car- and I won.
 He got into my face ,and I just had my fill of niceties, and his his offering, cactus fruit form the city parks, fir tree blocks cut down by gardners, or childrens clothes and baby dummy  he found by the bins...
Leave me at peace, I have my own life, I dont want those.
 I pulled away from his crazy grip.
Fine, fine
 he shouted like a teenage lover ,broken hearted,
than never say hello to me again when you see me in the street.!!!!
After he ovbiousley vanished into notthing, like a un wanted genie that we was.
I explained to my still whining son- about what had jsut happened- as so he would understand why he could not have his attention at once, and stop his ever louder whining.

On the way out, after we had over stuffer the trolley, as I was paying for our groceries, Duje pointed out- mummy there are those flowers.
The Guy, had left the flowers he had eaten ,
from at the till, for my to find.

....

Tuesday, 12 March 2019

80 portraits around the art world, project. Dakis Joannou , Log entry. 12. 13. 2019.


 

Dakis and I met up through the Watsup video application at  9. 31, Am and we painted until aprox 10.40 am. Dakis was in his office in Athens, Greece,  surrounded by art works  and I in my studio in Split, Croatia.

This project emerged out of me probably because I became aware that living as a mother artist, with a permeant base in Split where the art scene is very small, an inability to travel much at present,  I lack the possibility of new encounters, of meeting new people who love contemporary art, understand it or with whom I can share and bounce off the passion art is . The project became my window into the art world and a valid reason to meet other art passionate.

Meeting Dakis and exchanging with him, became in the moment of the performance the more interesting element, putting my attention to the painting as second. It is art that connects me to all the muses in this project, however the energy of the dialogue, the personality of the muse and their intuitive reaction to me is a part of the performance. - In fact, it is not a performance, it is a real reaction. A real life moment of interaction. I just label it “performance” to make it more digestible and easier to understand to the art public. For me in fact every performance is not a staged performance but a real life moment in time-the only real theatrical performative element is the organising of time, date, and the space, in which the performance is occurs.

The human encounter in my performance- always carries all the unexpected elements unlabelled interaction carries. Discovery. Curiosity. Humour. Intrigue. Revelation. Respecting of intimacy. Learning. And reaction.   Within the short scope of the painting session, I like to find out some elements of personal history, horoscope signs, personality of the muse, as well as the story of art- which was the reason I had invited the muse in to the project.

I was curious about the favourite works of such a grand collector, and in fact loved the answer Dakis provided. The works he collects reflect the friendships he forms and so his favourite works are those of his close friends.

This I could very much connect to myself, even though my system is very different, we are both people collectors. Dakis often collects the artists into his friendship circle and their art works , while I paint portraits of people ,most often from life- so that I do have the moment with the living person, essentially I have the opportunity to start friendships- which often do result form  a painting session, and then I keep their portraits. We are essentially both people collectors in an art spectrum.

I felt like I was communicating to someone form my planet.

Dakis also showed me some Josh Smith’s works on his walls, pointing out that they are carry  somewhat dark energy, and that he has even darker works in his collection. This intrigued me as I tend to avoid facing owning a darks side, I don’t read the kids or my self sad or tragic books, Im all about the keeping things bright and being up beat ( since leaving my creepy portraits at begging of college phase).  The answer surprised me, which I why I will share it in his log. – In my interpretation Dakis said that the dark intense works create a visual and energetic contrast to the other works. It makes the other works pop and appear even more positive, and visible,  and  it gives a space a more interesting dynamic. Food for thought. I may be able to admit having a dark side one day when I am wiser and not need to hide the  dark paintings I create .

There where many more topics of conversation covered, as happens when people meet, and especially when they are in the sacred live painting moment. But this is not an article, I am not a journalist, the rest you will have to feel form the painting produced.

The painting does resemble the muse, contain the energy and colours of the conversation, even if it is not entirely anatomically correct, because the conversation won a larger part of my attention. It seems like I paint badly when the muse has great stories. I gawp and listen more than observe the paint on paper beneath the screen .

 

Thursday, 7 March 2019

80 portraits around the world project, Ernesto Morales, Log.


Ernesto Morales. Painted 6.3.2019. Between 11 am – 12,20.

Ernesto I had met at the Budapest art fair for the first time, so it was not trough the social media that I discovered him by chance. But it was by chance, all the same, as the fairs are busy places over flowing with people and the encounters are random and short. However before painting Ernesto I had seen his art work in real life exhibited at the Milanese gallery in the fair.  His paintings are mystical, hazy and composed of extraordinary materials, such as gold, plants growing in the Amazon, or crushed semi precious gems. Obviously I wanted to hear more about it. There was hardly enough time in the swish swash movement of events in Budapest, so including him in the project was the perfect solution to hear more.

Today he greeted me through the video chat, from his studio in Torino, and I decided to paint from my dining table in Split . I posed the telephone, with the Instagram video chat on- into a fruit stand to perch among apples for support and the perfomance begun.
The conversation  began  , and simultaneously so commenced painting  his portrait in watercolour. Ernesto at some point asked as to what we will do- and was surprised to discover that was painting him without his being aware of it.

The way I paint- is sort of automatic. I converse with the muse- completely attentive to the conversation, my hands and eyes do the job automatically. I do believe that it is the energy of the conversation ,the very energy of the muse that informs the style and colours of my paintings.

Ernesto took me further than the conversation, he took me on a tour of his studio, and showed me  the art works he is preparing for a number of international shows, most excitingly- for any living artist, he is about to exhibit at this summers Venice biennale.

It is very rare and generous to be allowed into the creative intimacy of the studio, not all artists will show their works before exhibiting it , especially to a colleague artist in fear of their ideas being stolen. Ernesto showed me the very alchemic system he has to even make his paint. I have seen or never heard of anything like it. The way he creates his paint, is closer to the way ancient Egyptians made medicine, it is material and spiritual. But it is not my right to disclose his secret recipes, you must find out from the artist him self if you care to know more. 

This is an artist, who loves nature and explores, the invisible elements of our realm, within the very way he creates his materials and his paintings.

The Instagram video, constantly broke up most of what Ernesto was saying to me, So I was receiving only pieces of his words, at times one of two words or half words,  pieces of his sentences, and translating those in my mind best I could. Technology influenced our conversation, slowed it down, broke it up a little, mystified it. And the colours of the screen might have influenced my perception of the muse.  

But in all , I felt like Alice, who entered a new world- as Ernesto shared his, to me through this magical little camera on the phone.

The result of this both ways pleasant and inspiring exchange/art performance, is actually a beginning of new projects among us,  ideas tumbled out even after our painting session. In fact Ernesto has show interest to exhibit In Kastela or Split and spend a while working in Kastel Art Residency,- which I have hosted for the last decade. Very Exciting .

I have not video recorded this session. I do feel that recording the exchange will compromise the intimacy and the freedom with which the muses I paint express.

Having gotten to know the muses features- after studying them with concertation yesterday - We shall do a second painting session in which I will trough the video- paint a portrait on canvass in my favourite larger dimensions 130x100cm.